Thursday, December 24, 2009

This Fox Really Is Fantastic

Fantastic Mr. Fox


Freely based off Roald Dahl's 1970 children's book, director Wes Anderson's ("The Royal Tenenbaums," "The Darjeeling Limited,") "Fantasic Mr. Fox" is pure joy, an animated fable that is a rough-and-tumble and tactile visual wonderment to behold. Anderson used stop-motion animation and the reported pain-staking labor it took to make this movie certainly paid off in the casual, nonchalant piece of art it really is. The thing with this director is that maybe he was meant to direct animated films all along because this way his world feels more believable and therefore becomes more endearing and also allows his wits and sharp humor to shine through the material. When he was once creating real-life twisted into the unreal, he has now transformed the talking animal world into something surprisingly real.

Rarely before has such texture exploded in a film with fur that shifts, moves, and sways, and smoke and foam made from cotton balls. This is also a world that breathes in shades of orange, brown, and colors of autumn whether it's from the earthy underground where the foxes live or from the color of the foxes' fur itself. The film is shot rather two-dimensionally with the camera rarely tracking in or out, and this helps to emphasize the storybook quality. The plot is ruled primarily by a riddle that is repeated through the movie even, in some cases, through the voice of singing children: Boggis and Bunce and Bean, one fat, one short, one lean. These horrible crooks, so different in looks, were nonetheless equally mean. Mr. Fox (voiced by George Clooney) was once a mischievous crook who stole chickens with his wife, Mrs. Fox (voiced by Meryl Streep). After a close call, Mr. Fox promised his wife never again. He retreats into a job of journalism writing a column but quickly gets the urge to return to thievery against the trio of evil farmers all the while doing so behind his wife's back.

There is also Mr. Fox's clumsy son, Ash (voiced by Jason Schwartzman), who wants to be considered naturally talented and athletic like his father. Unfortunately for Ash, his cousin Kristofferson (voiced by Eric Anderson) swoops in to do everything better, and he steals any thunder Ash might've had. He becomes the family's golden child, or fox, rather, and the story of this quarrel becomes of immense importance to the greater picture of all the animals. Badger (voiced by Bill Murray) gets Mr. and Mrs. Fox a nicer place to live above ground in a massive tree. Mr. Fox's undercover side work gets blown, however, and all of a sudden an all-out war is declared, and the animals are all digging underground to save their tails, sometimes even literally.

In the same spirit of Spike Jonze's "Where the Wild Things Are," this is a PG-rated movie that isn't so much for children. Like the book upon which that film is based, there are some dark undertones lurking here along with some violence and a large usage of tongue-in-cheek language using the word "cuss." But sometimes children's movies that push the boundaries are all the better for kids to endure, especially this one with a hero that has his own set of flaws. Mr. Fox certainly isn't perfect with his boastful and sometimes selfish personality. He is, however, grounded and realistic, and George Clooney's snarky attitude fits the part. They're all wild animals at heart, and the intelligent script by Anderson and Noah Baumbach ("The Squid and the Whale") don't ignore this fact. And in a moment where Mr. Fox meets his phobia, a wolf, the film strikes a high point of poignancy and profundity that comes as a welcome surprise.

Wes Anderson may be self-consciously aware of his hipness, especially with a quirky original song and fascinating score by Alexandre Desplat, but it is well-deserved and becomes even admirable with the resounding and seemingly effortless success this animated feature is. In the end, "Fantastic Mr. Fox" is, astonishingly enough, even better than Pixar's "Up," which is saying a lot. It definitely gets my vote for Best Animated Feature of the year.

Friday, December 18, 2009

A Big Win For James Cameron

Avatar


James Cameron has been all the rage with the ever-approaching release of his first movie since 12 years ago when he made "Titanic." With anticipation at its boiling point, judgment day for the self-proclaimed King of the World has finally arrived. The verdict? Well, let's just say he's keeping his crown for this one and perhaps expanding it to King of the Universe. Like many others, I was skeptical toward the director's venture that reportedly cost him $300 million. The building buzz for his new feature was holding up some lofty expectations that I was just worried wouldn't be met. It turns out, however, that every bold claim Cameron made about his latest film came true, and it was money well spent. So, here I am standing before you attempting to transform my skepticism into an undying love. I'm here to set the record straight: "Avatar" is the real deal. In astonishing and stunning IMAX 3D, this is a movie that transports in a way like nothing you've ever experienced before, and the unbelievable technical prowess involved is like nothing ever done before in cinema. Simply put, this is the most visually gorgeous film I have ever seen and a landmark in moviemaking.

The world of Pandora is such a rich, breathing, and fully-realized place it is comparable to other fantasy worlds represented in film such as "Star Wars," "Lord of the Rings," and "Harry Potter." This world's environment is similar to Earth with luscious forests, sprawling landscapes, except all the more fantastical with places such as floating mountains with waterfalls dropping off into nothingness. The world is inhabited by creatures both colorful and dangerous and also the natives, the Na'vi. They are a blue-skinned, yellow-eyed, slender, 8-foot-tall race. This world and these people are all rendered largely by CGI except it's like the next generation of CGI. The Na'vi are created through motion capture techniques that are entirely convincing, and they look like particular actors when they're supposed to without any creepy effect. Their blue skin glistens, the trees rustle and sway, the waters pound, and every aspect of Pandora--the eye-popping colors, textures, and meticulous attention to detail--is breathtakingly beautiful and an explosion of sensory delight.

But enough about the visual. How does the story hold up? It's simple, yes, but never too thin. And at the center is an emotional romance, one of elegance, grace, and real flesh and blood. Blue flesh, that is. The Na'vi thrive off their planet by being deeply connected with nature, but the nature of their planet is threatened by a mission lead by U.S. Armed Forces that want to harvest a rich mineral only found on Pandora and one that is worth millions. Armored, gun-wielding hover ships probe through the planet as they carry out their goal of displacing the native Na'vi. Diplomatic solutions are of first priority, but open-fire is a welcomed close second. To venture closely into Pandora outside the safety of machinery, they use avatars. These are linked to the minds of humans who remained wired on the ship, but they still have all the sensory connections to their avatar. They are them.

The hero is Jake Sully (Sam Worthington), a paraplegic who has been sent on this mission to replace his brother who died. An avatar was built for his brother, and Jake is the only genetic match. As his avatar, Jake journeys into the wonders of Pandora and comes across a Na'vi named Neytiri (Zoe Saldana). She saves his life from some vicious banshees, and from there she reluctantly takes Jake under her wing and convinces her community to teach Jake the ways of Na'vi. The team back aboard the ships is thrilled because Jake can get them closer to a negotiation with the natives. Jake, however, with a fellow member who has a tender history with the Na'vi, Grace (Sigourney Weaver), begins to see things differently. The leader onboard the ship is the rough and aggressive Col. Miles Quaritch (Stephen Lang) who briefed Jake to be a good soldier, and now he feels betrayed.

The movie is 160 minutes long without ever a dull moment. Just consider the complexity of the battle taking place, the final warfare that ignites a revolution, the human drama, the Na'vi drama, the complexity with humans and Na'vi combined, the internal secrets that Pandora harbors such as those white, glowing, floating creatures that are the soul of the planet, and, hell, it just all makes for grand, epic, sweeping entertainment at the highest caliber that needs to be seen more than once to fully admire and absorb. The first time you're simply taken aback by the shock of it all. There are an endless number of captivating scenes. One that especially comes to mind is when Jake has to capture and tame a flying dragon-looking creature. The Na'vi literally become one with the great beasts they have at their disposal for transportation.

Expectations tend to be a double-edged sword. Fail them, and you're doomed. Meet them, however, and you soar. Thankfully for James Cameron, he is soaring above and beyond all expectations and doubts that preceded this release. And the box office results will be there to match it. "Avatar" is anti-war and pro-Green. It is not only a film but a cultural phenomenon, an event that cannot be missed. If you do, you're out of the loop. I don't care if it's Hollywood and profitable and a shoo-in for being the big-budget crowd-pleaser for which the Academy may have been searching. It doesn't matter. "Avatar" will blow your mind. Go see it.

Thursday, December 17, 2009

Why "Precious" Is Just Too Much

OK, Jim Emerson posted this video in his blog, and it appears he had the same reluctance of going into seeing "Precious" as I did. I turned out to not like it (I have my reasons; just refer to my review), and so I thought this was spot-on and hilarious. It may be a bit harsh, but honestly, you have to just take "Precious" a little not-so-seriously. Peter Travers of Rolling Stone already slammed it into his number one spot on his Top 10 list. Don't let the trend continue.

Wednesday, December 16, 2009

Great Movies For Spring 2010



The "Iron Man 2" trailer got leaked, and who is that I see? Mickey Rourke as the villain? And was that Scarlett Johansson I saw? And Don Cheadle (replacing Terrence Howard) in his own suit of armor? I'm excited.



And continuing the trend of 3-D IMAX features, Tim Burton's "Alice in Wonderland" will be presented as such, and it looks to be a fantastical blend of live-action and CGI starring Johnny Depp, Anne Hathaway, and Helena Bonham Carter.