85th Annual Academy Awards Recap

Last night's Oscars proved once again that the Oscars are exactly what they are: the Oscars. Nothing more, nothing less and likely never will be anything else. Seth MacFarlane as host was neither a success nor failure. He was there to fill space. He was energetic about being on stage and held a great charisma throughout but didn't commit to being a real host. He was a meta-host.

His 17-minute opening montage brought on a Star Trekked William Shatner from the future telling him he would be panned as the worst Oscar host in history in tomorrow's headlines. The self-referential moment to the skepticism around his hosting gig was a cop-out from him taking on his hosting duties 100 percent. Splashed in between, however, were fun dance routines by the inspired pairings of Charlize Theron and Channing Tatum and then Joseph Gordon-Levitt and Daniel Radcliffe. And that "We Saw Your Boobs" number was playful enough.

Throughout the rest of the show, however, introducing presenters and cracking small jokes, MacFarlane fell flat. He tossed out jokes as if he was still testing them, and nothing stuck. And a crack about Rex Reed and Adele was borderline uncalled for, and this was followed by a series of repetitive jokes about how long the telecast was running. We get it. The Oscars are long and boring; stop pointing it out to us.

Meanwhile, the show actually ended right on time. Exactly three hours...plus 30 minutes. And it ended right after Ben Affleck gave a frantic but heartfelt acceptance speech on behalf of the widely expected best picture win for "Argo." This was preceded by Jack Nicholson appearing on stage to present the award, which has a fun side note all its own. The last time Nicholson presented the final award of the night was in 2005 for "Crash" when Ang Lee won best director for "Brokeback Mountain." That was the last time we've seen a best picture/director split as it happened again this year with Lee's director win for "Life of Pi" over Steven Spielberg for "Lincoln."

First lady Michelle Obama was the surprise presenter who appeared above Nicholson's head on a screen in a live stream from the White House. She gave a moving speech about importance of the arts before ripping open the envelope and revealing "Argo" as the winner.

All of this was a fantastic finish to the 85th Annual Academy Awards telecast. But no. Our host teamed up with a screeching Kristen Chenoweth to close out the show with a horrific musical number commending all the night's losers, a wholly unnecessary exercise in bad taste and ignorance after an otherwise very classy end to the evening.

With best picture, "Argo" also took awards for best editing and Chris Terrio's surprise win for best adapted screenplay over close competitors David O. Russell for "Silver Linings Playbook" and Tony Kushner for "Lincoln." With a total of three awards, the film tied with "Les Miserables," which had wins including Anne Hathaway's predicted best supporting actress win along with best makeup/hairstyling and sound mixing.

"Life of Pi," however, walked away with the most awards of the night at four total. Along with Ang Lee's best director win, the film won best cinematography, visual effects and score. "Skyfall," "Django Unchained" and "Lincoln" all tied with two wins each.

"Silver Linings Playbook" got only one award, which went to Jennifer Lawrence for best actress. The humbled Oscar-winner took the stage in a flurry of an acceptance speech just after tripping on her way up the steps. Undeniably precious.

In a tribute to the 50th anniversary of James Bond, a montage was followed by a performance from the 76-year-old Shirley Bassey who belted out "Goldfinger." Adele later appeared to sing her Oscar-winning "Skyfall" for best original song, but unfortunately a sound issue muffled her performance. Her bubbly acceptance speech made up for it later, though.

Best sound editing marked the second award for "Skyfall," which it shared with "Zero Dark Thirty," that film's sole win of the night. The tie in the category marked only the sixth time a tie has ever happened in Oscar history.

Daniel Day-Lewis accepted his best actor win for "Lincoln" with a great speech we would know to come from the three-time Oscar-winning actor. The second win for "Lincoln" was for production design over expected front-runner "Anna Karenina." The latter won for best costume design. Disney's "Brave" took the award for best animated film over "Wreck-It Ralph" while "Amour" won best foreign language film and "Searching for Sugar Man" won best documentary.

Best supporting actor went to Christoph Waltz for "Django Unchained" while Quentin Tarantino took the award for best original screenplay over Mark Boal's "Zero Dark Thirty" who took home the WGA last weekend.

The telecast's theme was the movie musical as the night paid tribute to the past decade's musicals, of which there were apparently only two. Jennifer Hudson performed her show-stopping number from 2006's "Dreamgirls" unleashing her voice which felt even more seasoned than when she originally sang the tune. Catherine Zeta-Jones, on the other hand, lip-synced her way through a rendition of "All that Jazz" from 2002's best picture winner "Chicago."

The live singing redux of "One Day More" from "Les Miserables" was a musical highlight of the night bringing the cast all together again. The academy producers were clearly salivating over the idea of a nominated musical to revolve the night's theme around. The reliance on the returning cast of "Chicago" sure was heavy-handed, and one couldn't help but wonder why Renee Zellweger was acting like that?

Perhaps the most bizarre moment of the night was somebody's apparent decision to make the cut-off music of acceptance speeches to be the "Jaws" theme. Talk about campy and tasteless.

What's really left of last night's telecast is a feeling of deflated hopelessness for the Oscars to never be truly exciting again. Maybe we really do just need Tina Fey and Amy Poehler to host everything from now on. Lord knows that joke was required to be made last night, too -- and so early on, yeesh.

But hey, at least it truly was a great year in film, an unexpected awards race for most of the way and a night that closed on FLOTUS nailing best dressed without even being there and a tearful, choked up Ben Affleck getting the acknowledgement he deserves. I'm going with pretending that last musical number didn't happen. I think it's really for the best.

85th Annual Academy Award Winner Predictions

Sunday's telecast of the 85th Annual Academy Awards is guaranteed going to give us some surprises.

Could Ang Lee top Steven Spielberg for best director considering he took a novel widely considered to be unadaptable and turned it into an Oscar-nominated triumph?

Could best supporting actor go to Robert De Niro for a veteran actor who hasn't seen a good role in years?

The screenplay categories are also very much up in the air. In adapted, either David O. Russell for "Silver Linings Playbook" or Chris Terrio for "Argo" could grab the win away from assumed front-runner Tony Kushner for "Lincoln." And in original, don't be surprised if the love for "Amour" sneaks into a win out from under Quentin Tarantino's "Django Unchained."

And speaking of "Amour," there's always the possibility of votes for Jessica Chastain and Jennifer Lawrence canceling each other out allowing Emmanuelle Riva in for the win.

In spite of all the crazy dark horse possibilities, I've nailed down my final predictions below.

Best Picture: All signs point to "Argo."

Director: With Ben Affleck down for the count, looks like Steven Spielberg is the favorite to take it for "Lincoln."

Actor: Daniel Day-Lewis for "Lincoln"

Actress: Jennifer Lawrence for "Silver Linings Playbook"

Supporting Actor: Tough call between Christoph Waltz for "Django Unchained" (BAFTA win) and Tommy Lee Jones for "Lincoln" (SAG win), but I'm going with Waltz.

Supporting Actress: Anne Hathaway for "Les Miserables"

Animated Feature: Kind of open, but recent Annie wins say "Wreck-It Ralph."

Original Screenplay: Quentin Tarantino for "Django Unchained"

Adapted Screenplay: Tony Kushner for "Lincoln"

Sound Editing: "Skyfall" because respected action movies always take it.

Sound Mixing: "Skyfall" for the same reason.

Film Editing: "Argo" because it'll validate the best picture win.

Documentary Feature: "Searching for Sugar Man"

Foreign Language Film: "Amour"

Cinematography: Claudio Miranda for "Life of Pi"

Makeup & Hairstyling: "The Hobbit: An Unexpected Journey"

Costume Design: "Anna Karenina"

Visual Effects: "Life of Pi"

Original Song: "Skyfall" by Adele

Original Score: Mychael Danna for "Life of Pi"

Production Design: "Anna Karenina"

Documentary Short: "Inocente"

Live Action Short: "Curfew"

Animated Short: "The Paperman"

With only two wins, "Argo" will take the top prize of best picture along with best editing -- funny because it'll tie "Anna Karenina" for two wins. It will be topped by "Lincoln," which I predict will win three awards: best director, supporting actor and adapted screenplay. This also means "Skyfall" and "Life of Pi" will each land at three wins for technical awards.

Tune in to watch the telecast of the 85th Annual Academy Awards on Sunday, Feb. 24 at 8:30 p.m. on ABC.

19th Annual Screen Actors Guild Award Winners

The Golden Globes turned out to be more of a prognosticator for awards season as this weekend reaped more awards for Ben Affleck's "Argo." The Best Picture nominee which, after Oscar nomination morning in the wake of Affleck's Best Director snub looked down for the count, is now the easy front-runner to win. And this comes after the film's win from the Producers Guild of America and Sunday night's Best Ensemble win at the 19th Annual Screen Actors Guild Awards.

While a Best Ensemble win at the SAGs doesn't always mean a boost for Best Picture potential (see last year's win for "The Help"), it certainly does mean something when the picture is busy picking up other accolades, as well. And also when it was widely expected that other more actor-oriented films like "Lincoln" or "Silver Linings Playbook" would've nabbed the top SAG prize. "Argo" is giant right now and could likely become the first film in a very long time to win Best Picture without its director not only winning but not even earning a nomination.

Now it's pretty much guaranteed Ben Affleck will also be winning the Directors Guild of America, too. Where does that leave the Oscar director race? David O. Russell? Steven Spielberg? Ang Lee? Hard to say.

Three acting categories are locks after Sunday's ceremony. Anne Hathaway for "Les Miserables" will take Best Supporting Actress, Jennifer Lawrence for "Silver Linings Playbook" will win Best Actress (in a tight race against running-mate Jessica Chastain for "Zero Dark Thirty") and Daniel Day-Lewis for "Lincoln" will win Best Actor.

Tommy Lee Jones winning Best Supporting Actor for "Lincoln" gives him a boost while Christoph Waltz for "Django Unchained" (not nominated for a SAG) won the Golden Globe. It's pretty much a toss-up between the two as I could see the academy going for either.

I'm thrilled about the awards success of "Argo." It's a great movie, Ben Affleck deserves the praise as a young and talented actor-turned-director (especially in light of that impossible-to-ignore Oscar snub) and it makes for a wild comeback story for Oscar history.

Check here for a full list of winners from the 19th Annual Screen Actors Guild Awards.

85th Annual Academy Award Nominations

This morning's announcement of the 85th Annual Academy Awards sure had a lot of surprises to keep us on our toes. As they did last year, the academy went with nine Best Picture nominations: "Argo," "Lincoln," "Les Miserables," "Beasts of the Southern Wild," "Django Unchained," "Life of Pi," "Zero Dark Thirty," "Silver Linings Playbook" and Best Foreign Language nominee "Amour" for the ninth slot, which beat out other contenders like "The Master," "Moonrise Kingdom" and "Skyfall."

"Lincoln," as it has been with the rest of awards nominations, led the pack with 12 nominations closely followed by "Life of Pi" with 11 and then "Silver Linings Playbook" and "Les Miserables" each with eight.

The biggest shake-up came in the Best Director category where the academy really wanted to show off their love for "Amour" and "Beasts of the Southern Wild" as both Michael Haneke and Benh Zeitlin made their way into the category. Joining them was Steven Spielberg for "Lincoln," David O. Russell for "Silver Linings Playbook" and Ang Lee for "Life of Pi." This left room for major snubs including Ben Affleck for "Argo" and Kathryn Bigelow for "Zero Dark Thirty" who were both widely predicted to get in. Also left out were Tom Hooper for "Les Miserables" and Quentin Tarantino for "Django Unchained."

The "Beasts" and "Amour" love continued into the record-setting Best Actress category as both the youngest, Quvenzhane Wallis at 9, and oldest, Emmanuelle Riva at 85, nominated actresses made it in. Joining them were Naomi Watts for "The Impossible," Jennifer Lawrence for "Silver Linings Playbook" and Jessica Chastain for "Zero Dark Thirty." Marion Cotillard for "Rust and Bone," widely expected to get nominated, was left hanging.

Joaquin Phoenix for "The Master" ended up getting his nomination for Best Actor alongside the front-runner of Daniel Day-Lewis for "Lincoln," Denzel Washington for "Flight," Hugh Jackman for "Les Miserables," and Bradley Cooper for "Silver Linings Playbook." This left out John Hawkes for "The Sessions," predicted to make it in the category over Phoenix.

"Skyfall" wasn't able to crack any of the major categories, as the greatest hope was for Javier Bardem to sneak into Best Supporting Actor. Instead, the nominees were Robert De Niro for "Silver Linings Playbook," Tommy Lee Jones for "Lincoln," Alan Arkin for "Argo" and Christoph Waltz got in for "Django Unchained" over Leonardo DiCaprio or Samuel L. Jackson.

The Best Supporting Actress category included Anne Hathaway for "Les Miserables," Helen Hunt for "The Sessions," Sally Field for "Lincoln," Amy Adams for "The Master" and filling the fifth up-for-grabs slot was Jacki Weaver for "Silver Linings Playbook." Weaver's inclusion in the category means that "Silver Linings" is the only movie to have an actor nod in each category.

John Gatins for "Flight" received a surprise nomination in the Best Original Screenplay category along with Michael Haneke for "Amour," Wes Anderson for "Moonrise Kingdom," Quentin Tarantino for "Django Unchained" and Mark Boal for "Zero Dark Thirty." Left out was Paul Thomas Anderson for "The Master" and Rian Johnson for "Looper."

Best Adapted Screenplay included Chris Terrio for "Argo," Tony Kushner for "Lincoln," Lucy Alibar and Benh Zeitlin for "Beasts of the Southern Wild," David Magee for "Life of Pi" and David O. Russell for "Silver Linings Playbook." No surprises in there.

"Skyfall" wasn't completely left out as it nabbed five technical nominations including Roger Deakins for cinematography, Thomas Newman for score, Adele's theme for song and then sound mixing and editing.

It's also curious that with all the love for "Beasts," the score from Dan Romer and Benh Zeitlin didn't get a nomination.

What does all this mean for the race to Best Picture? Well, "Zero Dark Thirty" and "Argo," the front-runners before today, can now be both counted out as each of those directors weren't nominated. Simple logic tells us the new front-runners are "Lincoln" and "Life of Pi" as they received the most nominations. "Pi" is still a far cry, however, as "Lincoln" has always had the awards momentum from the beginning. It was easier to ignore before, but now with other top contenders having lost their steam, Steven Spielberg's historical drama is now the one to beat.

The real competition for "Lincoln" comes from David O. Russell's "Silver Linings Playbook," which received a huge boost with its collection of nominations nabbing nods for all four actors, director, editing and writing along with Best Picture.

The 85th Annual Academy Awards air live at the Dolby Theatre on Sunday, Feb. 24 at 8 p.m. on ABC hosted by Seth MacFarlane. Check here for a full list of nominations.

85th Annual Academy Award Nomination Predictions

The Oscar nominations being pushed so much earlier has really created a lot of turmoil. Has it made the nominees any less predictable? Perhaps. Only because Academy voters seemed to be scrambling to get their ballots in. Yet here we are, and I'm ready to cast my predictions in all major categories for this Thursday's announcement for the 85th Annual Academy Award nominations.

Best Picture
1. Lincoln
2. Les Miserables
3. Argo
4. Silver Linings Playbook
5. Zero Dark Thirty
6. Life of Pi
7. The Master
8. Beasts of the Southern Wild
9. Django Unchained

I predict there will be nine nominees, but here's the rest if it gets expanded to ten:

10. Moonrise Kingdom

Best Director
1. Ben Affleck, "Argo"
2. Kathryn Bigelow, "Zero Dark Thirty"
3. Tom Hooper, "Les Miserables"
4. Ang Lee, "Life of Pi"
5. Steven Spielberg, "Lincoln"

Best Actor
1. Daniel Day-Lewis, "Lincoln"
2. Bradley Cooper, "Silver Linings Playbook"
3. Denzel Washington, "Flight"
4. Hugh Jackman, "Les Miserables"
5. John Hawkes, "The Sessions"

Best Actress
1. Jessica Chastain, "Zero Dark Thirty"
2. Jennifer Lawrence, "Silver Linings Playbook"
3. Marion Cotillard, "Rust and Bone"
4. Naomi Watts, "The Impossible"
5. Emmanuelle Riva, "Amour"

Best Supporting Actress
1. Anne Hathaway, "Les Miserables"
2. Sally Field, "Lincoln"
3. Amy Adams, "The Master"
4. Helen Hunt, "The Sessions"
5. Maggie Smith, "The Best Exotic Marigold Hotel"

Best Supporting Actor
1. Philip Seymour Hoffman, "The Master"
2. Tommy Lee Jones, "Lincoln"
3. Javier Bardem, "Skyfall"
4. Alan Arkin, "Argo"
5. Robert De Niro, "Silver Linings Playbook"

Best Original Screenplay
1. Amour
2. Moonrise Kingdom
3. Django Unchained
4. Zero Dark Thirty
5. The Master

Best Adapted Screenplay
1. Lincoln
2. Argo
3. Silver Linings Playbook
4. The Life of Pi
5. Beasts of the Southern Wild

70th Annual Golden Globe Award Nominations

Every year the Hollywood Foreign Press Association decides to surprise us for no reason with their nominations, and this morning's announcement for the 70th installment of the Golden Globe Awards was no exception. This time it's all about that movie that everyone except the HFPA had forgotten: "Salmon Fishing in the Yemen," which snuck into the nominees for Best Comedy or Musical. With that came nominations for "The Best Exotic Marigold Hotel" -- which also had a great showing with SAG yesterday -- "Moonrise Kingdom" and then front-runners "Les Miserables" and "Silver Linings Playbook" who will duke it out for the top prize.

What I find most alarming is that even the Critics' Choice had a better representation of this year's comedies. "Magic Mike," "This Is 40," "Pitch Perfect," "Ted" and "21 Jump Street" all got left off completely. Especially surprising is the absence of acting nominations for Leslie Mann or Paul Rudd for "This Is 40," or Matthew McConaughey who otherwise has been part of the conversation for "Magic Mike." Instead, we get both Emily Blunt and Ewan McGregor nominated for "Salmon Fishing in the Yemen," the independent selection over more conventional and, frankly, more well-received comedies. What's the thinking there?

"Lincoln" led the pack again with a total seven nominations trailed by "Argo" and "Django Unchained" each with five. Those three nabbed Best Drama nominations alongside "Life of Pi" and "Zero Dark Thirty" leaving "The Master" in the dust. Acting categories made up for it, however, as Amy Adams, Joaquin Phoenix and Philip Seymour Hoffman were all nominated for the film, while all but Hoffman were skipped for SAG nominations yesterday.

"Beasts of the Southern Wild" was nowhere to be found, but that's not surprising considering the HFPA prefers to include bigger stars, and "Beasts" is full of unknowns.

With "Les Miserables" and "Silver Linings Playbook" both filling up Comedy and Musical slots, that left for some interesting inclusions in the Drama acting categories. With Bradley Cooper for "Silver Linings Playbook" shifted aside, Richard Gere got his due for "Arbitrage" which almost went the whole season without recognition.

Same goes for the displacement of Jennifer Lawrence for "Silver Linings," which left room for the re-emergence of Rachel Weisz for "The Deep Blue Sea" after her NYFCC win. Naomi Watts for "The Impossible" and Helen Mirren for "Hitchcock" are gaining more traction for their spots in the Best Actress field for the Oscars, as well, pushing out both Emmuanelle Riva for "Amour" and Quvenzhane Wallis for "Beasts."

And apparently no awards season is complete without Meryl Streep, so way to go HFPA for remembering "Hope Springs," and nominating the veteran actress in the category of Best Actress for Comedy or Musical. Judi Dench got a nod, as well, not for "Skyfall" but instead "The Best Exotic Marigold Hotel" along with Maggie Smith for not "Best Exotic" but "Quartet."

The Best Supporting categories, which don't get the benefit of a Drama and Comedy or Musical divide, were both crowded. And guess who decided to show up again for Best Supporting Actress? Nicole Kidman for her raucous performance in "The Paperboy," which after SAG yesterday and now this, might, dare I say, have some traction toward an Oscar nomination? Lord help us, hopefully not.

Best Supporting Actor held some "Django" love with both Leonardo DiCaprio and Christoph Waltz scoring nods. Sorely missing, however, was Robert De Niro for "Silver Linings Playbook."

What can we take away from this year's HFPA selections? Only that the Critics' Choice are more and more becoming the better Oscar precursor.

Check out the full list of nominations, and tune in to watch what everyone really wants to watch during the 70th Annual Golden Globe Awards: Tina Fey and Amy Poehler hosting. It all happens on Sunday, January 13 at 8 p.m. on NBC.

19th Annual SAG Award Nominations

David O. Russell's "Silver Linings Playbook" made an impressive appearance this morning with four SAG award nominations during the announcement for the 19th Annual Screen Actors Guild Awards. Both of its leads, Jennifer Lawrence and Bradley Cooper, as well as a supporting nod for Robert De Niro and a Best Ensemble nomination made up the four total. Tying at four was Spielberg's "Lincoln" with nominations in the same categories for Daniel Day-Lewis, Sally Field, Tommy Lee Jones and the cast.

Along with "Silver Linings" for Best Ensemble, the nominated films were "Lincoln," "Les Miserables," "Argo" and "The Best Exotic Marigold Hotel" which gives the latter film a slight edge toward a possible (but still long shot) Best Picture nomination. The obvious snub here is for "Zero Dark Thirty" which has otherwise been getting plenty of accolades.

The Best Actor nominations here pretty much affirm what we'll see for the category at the Oscars. That is, the usual suspects with John Hawkes for "The Sessions" and Hugh Jackman for "Les Miserables" getting in over the likes of previous contendor Joaquin Phoenix for "The Master."

Best Actress got a bit of a shake-up with Helen Mirren for "Hitchcock" and Naomi Watts for "The Impossible" re-emerging over two major snubs for Quvenzhane Wallis for "Beasts of the Southern Wild" and Emmuanelle Riva for "Amour." Somehow I can't see this overlook happening come Oscar nomination morning.

And it looks like we may have our very first Bond villain make its way to an Oscar nomination in the Best Supporting Actor category. Then again, never before has a Bond villain been played by the entirely capable Javier Bardem. The actor received another nod for his turn in "Skyfall," extending his reach to Oscar potential. This, however, meant that Matthew McConaughey for "Magic Mike" got edged out.

Sneaking their way into Best Supporting Actress were Maggie Smith for "The Best Exotic Marigold Hotel," which is a fine inclusion to the category, but then also Nicole Kidman for her raunchy, twisted turn in "The Paperboy." That's a tiny miracle for the film, and there must've been a big campaign behind her. This meant not including the possible contendor of Ann Dowd for "Compliance," but more notably a pretty big snub for Amy Adams in "The Master."

The biggest thing we can walk away with here is that "Zero Dark Thirty" suddenly just hit a wall with only one nomination for its lead, Jessica Chastain. This, however, could all get rectified come Globe nominations tomorrow morning.

Check out the full list of nominations, and be sure to tune in to the 19th Annual Screen Actors Guild Awards on Sunday, January 27 at 8 p.m. on TNT and TBS.

18th Annual Critics' Choice Movie Award Nominations

After a slew of critics groups naming their best of the year earlier last week (AFI, Boston, New York, Los Angeles), it announced the late arrival of Kathryn Bigelow's every-other-award-contendor-killer, her true life military drama "Zero Dark Thirty." It is in full steam ahead as the late front-runner for Best Picture after "Argo" seemed impossible to top earlier in the fall.

Now with the arrival of this morning's 18th Annual Critics' Choice Movie Awards from the Broadcast Film Critics Association, it's a nice reminder that a reputable comedy category is on its way with the Globes. With "Bernie," "Silver Linings Playbook," "Ted," "This Is 40" and "21 Jump Street" all nominated for Best Picture from the BFCA, it's a robust category and will make the Golden Globe nominations more interesting; however, they have the pesky inclusion of musical which "Les Miserables" can easily dominate.

Also a breath of fresh air is the association's inclusion of a separate action movie category where the likes of "The Dark Knight Rises," "Looper" and, most importantly, "Skyfall" can get some recognition.  The three all received nods for Best Action Movie next to superhero big-show "The Avengers." This also allowed Daniel Craig a nomination for Best Actor in an Action Movie next to co-star Judi Dench for a double-nomination in both Best Actress in an Action Movie and in the major category of Best Supporting Actress, which is a welcomed surprise along with Javier Bardem in the major Best Supporting Actor category. This is likely the most awards love "Skyfall" will receive this year.

Back to the main grind, "Lincoln" led the pack with a whopping 13 nominations, which beat out previous record-holder of "Black Swan" with 12 nominations. Yet the BFCA passed the love all around with several nominations for each major contendor. Joining "Lincoln" with a Best Picture nomination were "Argo," "Beasts of the Southern Wild," "Django Unchained," "Les Miserables," "Life of Pi," "The Master," "Moonrise Kingdom," "Silver Linings Playbook" and "Zero Dark Thirty." There are eight locked with "Django" and "Moonrise" slots up for grabs with the potential of "The Sessions" or "Amour" sneaking in.

Narrowing down the ten, Best Director nominations went to six: Ben Affleck for "Argo," Kathryn Bigelow for "Zero Dark Thirty," Tom Hooper for "Les Miserables," Ang Lee for "Life of Pi," David O. Russell for "Silver Linings Playbook" and Steven Spielberg for "Lincoln."

Joining front-runner Daniel Day-Lewis for "Lincoln" in the Best Actor category were Bradley Cooper for "Silver Linings Playbook," Denzel Washington for "Flight," John Hawkes for "The Sessions," Hugh Jackman for "Les Miserables" and Joaquin Phoenix for "The Master." Since this is six total, it'll likely be between Hawkes and Phoenix for the fifth spot at the Oscars.

The Best Actress category included Jessica Chastain for "Zero Dark Thirty," Marion Cotillard for "Rust and Bone," Jennifer Lawrence for "Silver Linings Playbook," Emmanuelle Riva for "Amour," Quvenzhane Wallis for "Beasts of the Southern Wild" and Naomi Watts for "The Impossible." Take out Watts, and you're looking at the Best Actress nominees at the Oscars.

Even "The Hunger Games" nabbed some love in the form of Lawrence getting another acting nomination for Best Actress in an Action Movie. Lawrence got double-nominated for "Silver Linings" in both Best Actress and Actress in a Comedy for three acting nods total.

Best Supporting Actor is a little more interesting, especially with Javier Bardem for "Skyfall" sneaking in alongside Matthew McConaughey for "Magic Mike," Tommy Lee Jones for "Lincoln," Alan Arkin for "Argo," Robert De Niro for "Silver Linings Playbook" and Philip Seymour Hoffman for "The Master." While it's still pretty fluid who might get in (Leonardo DiCaprio for "Django" is decidedly missing), Tommy Lee Jones is the front-runner here.

Judi Dench surprised with her aforementioned Best Supporting Actress nomination for her work in "Skyfall," and joining her in the category was Helen Hunt for "The Sessions," Anne Hathaway for "Les Miserables," Amy Adams for "The Master," Sally Field for "Lincoln" and Ann Dowd for "Compliance." Again, take out Dench, and you're likely looking at this field for the Oscars.

The biggest question is whether the acting categories are locked down and prepped to snub "Skyfall" or if the mentions here will translate into Oscar love later on.

Check out the full list of nominations, and tune in to find out the winners of the 18th Annual Critics' Choice Movie Awards on Thursday, Jan. 10 at 8 p.m. on the CW.

LINCOLN Review

There's a point in watching Daniel Day-Lewis as our 16th president of the United States where you realize you're not just watching an actor portrayal. You are watching a man disappearing behind a historical figure, an icon of American history. You stop seeing Daniel Day-Lewis. You see Abraham Lincoln. Never again will an on-screen representation of him be so close, so real and so accurate. And it all starts with that voice. The voice Day-Lewis decided to inhabit the president with is nothing short of brilliant. The legend and lore of Lincoln brings to mind a deep, booming voice. History tells us otherwise, and the master method actor brings this richly to life. Before this film, Lincoln was a figure, a representation, an idea. Now, there's a man to go with it.

Instead of the painterly, picturesque puffery of last year's "War Horse," Steven Spielberg directs "Lincoln" with refined understatement. He allows the densely packed script from Tony Kushner ("Angels in America," "Munich") speak for itself, which was expertly crafted from Doris Kearns Goodwin's "Team of Rivals." Full of monologues, heated debates and strategic discussions, the movie documents the final months of Lincoln's presidency leading up to the passing of the thirteenth amendment and his tragic assassination at Ford's Theatre. The beauty in the collaboration is that it works like a time machine transporting audiences effortlessly to the 19th century, a time when the Civil War raged on and worry surrounded Lincoln's re-election.

Longtime Spielberg cinematographer Janusz Kaminski shoots "Lincoln" full of dark interiors and light spilling in through windows and curtains. Only a few shots are outside, and the only piece of battlefield action is in the film's first fleeting moments. For the majority of its two-and-a-half-hour running time, the film is a lesson in history -- and I mean that in the best way possible. It's smart, and you feel smart watching it. It can drag and does take a bit to get settled in with its vast cast of characters and familiar faces, but once we first enter that House of Representatives, the rewards for your attention and perseverance are immense.

The supporting crew is a laundry list of names and faces audiences will recognize. The main players are Joseph Gordon-Levitt as Lincoln's eldest son, Robert; David Straithairn as Secretary of State William H. Seward, Lincoln's right-hand man; Tommy Lee Jones as the hot-tempered radical liberal Thaddeus Stevens, a fervent advocate of black rights; and Sally Field as Lincoln's wife, Mary Todd. But that's only the beginning. James Spader, Hal Holbrook, John Hawkes, Jackie Earle Haley, Lee Pace, Jared Harris and  Michael Stuhlbarg among many other actors play strong supporting roles to give this moment in history real drama and life.

Casting Sally Field as the impassioned Mary Todd was inspired, as the veteran actress shows us the 16th president's wife as both indignant toward and admirable of her husband. Likewise, Tommy Lee Jones brings a weathered yet tough energy to Thaddeus Stevens whose private secret reveals his personal connection to Lincoln's cause. Both of these seasoned performances will be nominated alongside Day-Lewis.

All of this, all of "Lincoln," it all circles back to Day-Lewis. The scenes of him speaking to his Cabinet are captivating. He plays Lincoln with a quicksilver spirit that is ideal to the president's lore and how well-loved and appreciated he was by his party members. He has all the patience in the world, idling by and telling long stories -- but he also has his moments where he doesn't see what he knows needs to be done getting done. And when he slams that fist of his down on the table and asserts his power, you'll get chills. If nothing else, Steven Spielberg's "Lincoln" could likely restore your faith in American politics.